Showing posts with label Dutch. Show all posts
Showing posts with label Dutch. Show all posts

Wednesday, December 30, 2009

More on Journey Into Mohawk Country

Last Sunday’s New York Times carried a story about Charles T. Gehring, who for 35 years has been translating 17 century court records, letters and other documents from New Netherland (New York) from the original Dutch. Imagine my surprise to come across a reference to George O’Connor’s graphic novel, Journey Into Mohawk Country. (See my post on that book here.)

For his book, O’Connor used Gehring’s translations of Harmen Meyndertsz van den Bogaert’s journal, which detailed the barber-surgeon’s travels through Mohawk Valley in 1634.


The NYT story tells more about van den Bogaert’s life after the adventures of Journey Into Mohawk Country. He became commander of Fort Orange (in what is now Albany), but tried to escape into native American country after colonists learned he was gay. The Dutch colonists, apparently not particularly open-minded on this issue in those days, dragged him back. But he escaped again “when a sheet of floating ice damaged the fort,” the NYT reports, only to drown in the Hudson River.


Oh, and van den Bogaert likely was an ancestor of actor Humphrey Bogart. Here’s looking at you, Harmen Meyndertsz van den Bogaert.

Thursday, October 29, 2009

Journey Into Mohawk Country

Much of the fun in George O’Connor’s Journey Into Mohawk Country occurs off to the side, away from the main action. A Dutch explorer teases a pair overly eager dogs by pretending to toss a bone for them to fetch … only to be caught by the dogs’ annoyed Mohawk owner. Two other explorers squabble like children while crossing a stream, with both ending up wet and cold.

This incidental tomfoolery is primarily because Journey Into Mohawk Country is O’Connor’s treatment of the real-life journal of Harmen Meyndertsz van den Bogaert, who in December 1634 headed off 100 miles into what we know today as Manhattan, to settle a trade agreement for beaver pelts with the Iroquois. O’Connor contends he altered none of van den Bogaert’s entries.

O’Connor’s accompanying illustrations are delightful and often playful — no mean feat given the dangers van den Bogaert and his companions faced. Frigid temperatures, potentially hostile native Americans, wild animals and becoming tragically lost were constant threats.

But as O’Connor notes in his introduction, van den Bogaert’s “words provide a glimpse into a much different time and place, and above all into his state mind.”

It’s is a very interesting journey.