Dick Giordano

Dick Giordano, longtime comic book editor and inker, died March 27 at age 77 from leukemia complications. If you don’t know the name, you should. He was one of the major forces behind the so-called Silver Age of comics.

Here are a few reasons why he should be remembered:

• As an editor at DC Comics, he oversaw the Watchmen (characters who first saw life as the Blue Beetle, the Question, the Peacemaker, et al., under his guidance when he was editor at Charlton Comics) and The Dark Knight Returns — two of the big three comics (along with Maus) celebrated for bringing comics into a postmodern world and influencing countless comic book writers and illustrators working today.

• He edited and inked the Crisis on Infinite Earths series.

• He inked more DC pages than anyone, DC President and Publisher Paul Levitz told The New York Times for Giordano’s obit. That could be why it seems he worked with just about everyone in the industry at one time or another — either he worked for or helped launch them.

• He started the now standard policy of listing writers’ and artists’ names on covers.

If you want to see the type of work Giordano influenced during the Silver Age, take a look at The Silver Age of Comic Book Art, by Arlen Schumer.

The Art of Harvey Kurtzman, Part 1

Illustrator Dave Gibbons says when he and writer Alan Moore started to think about Watchmen, they agreed they wanted their super heroes to look like “Superduperman,” a comic-strip feature created back in 1953 for MAD magazine by Harvey Kurtzman and Wally Wood. (Sickly Clark Bent, assistant copy boy for the Daily Dirt, has an unrequited crush on Lois Pain, girl reporter. But he has no better luck as a costumed crime fighter. “So you’re Superduperman instead of Clark Bent! Big deal!” Lois proclaims after smacking him silly. “Yer still a creep!”)

That Gibbons and Moore picked a silly comic hero for their tragic outlaws isn’t that surprising. Everyone borrowed from Harvey Kurtzman or were inspired by his work, in one form or another. Just ask Robert Crumb, Gilbert Shelton, Terry Gilliam or Harry Shearer ….

Testimony to this can be found in The Art of Harvey Kurtzman: The Mad Genius of Comics, by Denis Kitchen and Paul Buhl, published this summer. It’s the kind of biography Kurtzman deserves — it’s as much picture book as narrative. It includes the abovementioned “Superduperman” feature along with lots of other art and writing samples from MAD magazine, plus pages from Kurtzman’s other well-known creation, “Little Annie Fanny,” which ran in Playboy from 1962 to 1988.

But even better: This book shows his early work from the 1940s, plus examples from Frontline Combat and Two-Fisted Tales, war-themed comic books for EC Comics that eschewed the then-standard gung-ho heroics for stark realism and often frightened protagonists.

To be continued …