Wednesday, March 26, 2014

Joe Sacco’s “The Great War” review

Here’s a link to my review of Joe Sacco’s amazing, 24-foot-long book, “The Great War,” about the Battle of the Somme, as it appeared in The Gazette daily newspaper in Cedar Rapids, Iowa. http://thegazette.com/2014/03/26/the-great-war-a-great-graphic-book-for-a-terrible-day/

Sunday, August 7, 2011

The Mammoth Book of Best Crime Comics

In one panel, Secret Agent X-9 holds a gun in his left hand, aiming out it of frame. In the very next panel, the gun is now in his steely right hand and his left hand is extended, like a tightrope walker, to balance the picture.

As with many sequences in this great 1934 newspaper comic strip, this makes no sense visually. But that’s OK because it all looks great.

Every panel, in fact, of the dapper X-9, the sultry Grace Powers, the feckless Evelyn or even the evil master criminal the Top looks as if plucked from an old posed, black-and-white movie poster. Even when X-9 leaps through a window, he looks pretty darned elegant.

No surprise as the art is by Alex Raymond, the painterly genius behind Flash Gordon and Rip Kirby. And the slam-bam, non-stop action plot? By Dashiell Hammett, creator of The Thin Man and The Continental Op. Speaking of dashing and elegant.

I was delighted to find this and a wealth of other incredibly cool stories in The Mammoth Book of Best Crime Comics, edited by Paul Gravett.

I tend to avoid collections, figuring that for the few dynamic storylines or splendid images the book will be over-packed with contrivances and weak drawing.

So imagine my surprise to find in this one book not only Hammett and Raymond’s tremendous Secret Agent X-9, but also work by one of my favorite cartoonist storytellers, Jacques Tardi, illustrating a story by his wife, Dominique Grange.


If that weren’t enough, this fat, 2008 book also features noir-ish work by Joe Simon and Jack Kirby, Alan Moore, Charles Burns (starring his cigarette-smoking, overweight wrestler-detective El Borbah), Neil Gaiman, Jodi Bernet, Mickey Spillane (remember paperback detective Mike Hammer?), Alex Toth, Ed McBain, Max Allen Collins and Terry Beatty’s Ms. Tree, and Bernie Krigstein, before his EC Comics’s art.

And on top of that, Will Eisner’s The Spirit makes an appearance.

Mix in with this impressive bunch a good number of cartoonists and writers I’d not seen before but wished I had.

A “mammoth” book it is.

Sunday, July 31, 2011

Nursery Rhyme Comics

First Second, an imprint of Roaring Brook Press, will release this coming October Nursery Rhyme Comics: 50 Timeless Rhymes From 50 Celebrated Cartoonists.

The value in this book for adults interested in sequential art can be found in the contributors. They include, among others, Tony Millionaire, Roz Chast, both Jaime and Gilberto Hernandez, Gahan Wilson, Richard Thompson and Craig Thompson, Jules Feiffer, Gene Luen Yang and even Hellboy creator Mike Mignola.


The cartoonists stuck to the oft-recited texts, for the most part, but their images swing to some delightful interpretations. Stephanie Vue’s “Hickory, Dickory, Dock” features a charmingly expressive mouse. Cyril Pedrosa’s lively “This Little Piggy” — predominantly pink and wiggly — looks as if it escaped from late-night MTV, except in a good way.


The drawback — as you might expect in a book that gathers a whopping 50 artists and from across a broad spectrum of genres — is that some of the entries are inspired, fun and mad, while some, well, aren’t.


But the real test for Nursery Rhyme Comics will come when I return the copy I read to the Accent editor at the newspaper where I work. She’ll read the comics to her young daughter.


Now that will be the true verdict.

Sunday, June 12, 2011

Chicago Tribune cartoonists

I want to be these guys — sit around in three-piece suits, smoking cigars and even on occasion wearing a fedora, while drawing famous cartoons.

Take a look at this 1931 documentary of Chicago Tribune cartoonists as they draw Little Orphan Annie, Moon Mullins,The Gumps and more. Very cool stuff.

Thanks to the Association of American Editorial Cartoonists for featuring this in its latest members publication.