In a college lit class a number of years ago, I got into a semi-serious debate with the instructor as to whether T.S. Eliot’s footnotes for The Waste Land should count as part of the poem. I contended as the notes were published with the work, by Eliot, they should stand as belonging to the poem.I recalled that argument when reading New York Times reporter Sarah Boxer’s In the Floyd Archives: A Psycho-Bestiary. Her notes at the end of the book not only explain much of her characters’ dialog, their conversations make little sense without these explanations.
Boxer’s Thurber-like-roughly-sketched rabbit, wolf and rat each consult a bird psychiatrist, who doesn’t seem to understand when they speak plain English.
“I’m being chased by a wolf,” a frightened Rabbitman tells Dr. Floyd.
“So,” replies the bird, “you think you’re being ‘chased’?” After Rabbitman leaves Floyd’s office, a wolf comes in. And so on. Much of the story seems to be a series Freudian in-jokes.
The real question is whether reading the notes, too, actually makes In the Floyd Archives any more enjoyable.
Maybe that just would be wish fulfillment.
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