Showing posts with label Pandora's Box. Show all posts
Showing posts with label Pandora's Box. Show all posts

Tuesday, November 17, 2015

Tyler in Finland

 
Image and text © Michael Chevy Castranova 2015

I admit I’m still undecided about the Scarlet Sparrow’s hair style. I like the idea of it — the reference in this week’s chapter to Louise Brooks, star of “Pandora’s Box” and author of “Lulu in Hollywood.”
But it is tough to draw. It always, as first, looks as if Tyler is wearing some kind of helmet. So I add more. Then I erase and redraw. Then I erase some more.
But I think she likes it. Hard to tell.
In the early chapters of “Slipped” I integrated real people — Picasso was a love interest for Tyler during the 1910 Paris flood (a real event), for example. And I’d intended to incorporate Brooks going forward, but it turned out she wouldn’t have been in Paris in 1926. At least, I don’t think so.
Meanwhile, Tyler, Cartier Tour and Pip are about to meet a few new characters and make some frighteningly rapid progress on their mission in Finland.
Please keep reading.

Tuesday, November 10, 2015

Opening night jitters


Image © Michael Chevy Castranova 2015

I’ve tried to keep “Slipped” more or less accurate when dealing with real-life people or events. But in this week’s chapter — as well as in last week’s and next week’s — I got tangled up in a few historical timelines.
In chapter 354, for example, the sign outside the performance hall proclaims one of the dances that evening will be “Rites of Spring.” I’m OK in terms of when things happened — though actually it was called “The Rite of Spring,” singular, or “la Sacre du Printemps” — because that dance first was performed in 1913 in Paris. (You can see a recreation here on YouTube.) But as Nijinsky’s choreography — and the costumes and the music — caused such a scandal, it is unlikely it would have been staged again so soon after, and certainly not in as remote a locale as northern Finland. But I could be wrong about that.
And then there is the matter of Tyler’s new, risqué hairstyle. I’d initially intended to have some dialog in which our protagonist explains she wanted that cut after seeing Louise Brooks in “Pandora’s Box.”
But a quick check showed me my memory was off — that movie didn’t come out until 1929, three years after the events in chapter 355. So in next week’s installment you’ll see I’ve concocted a different explanation.
Either way, it is nice to see Tyler smile. It’s been a long time.
Oh, and balletomanes surely will have noted the headpiece Tyler is wearing would be for “Swan Lake” — which was not on the program.
What can I say? It’s a cartoon.